Park Do-soon, the founder of Suneung(South Korea’s College Scholastic Ability Test), had failed in his own university entrance exam. His creation—Suneung—would face similar trials. Although designed to put an end to test-oriented education, his new admissions system would be reshaped by external pressures and societal backlash against his intention. Amid the growing controversy, Suneung and the broader admissions reform faced the threat of being scrapped altogether. Ultimately, compromises were made, such as including science and social studies in the test.

A top high school student is blackmailed into taking a substitute college entrance exam, leading to a manipulation crime thriller.

A top high school student is blackmailed into taking a substitute college entrance exam, leading to a manipulation crime thriller.

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초등학교 교사 철수는 같은 동료 교사인 여자친구 세미에게 프로프즈를 하지만, 　　여자친구 세미는 애매한 말들만 남긴 뒤 방학 동안 산티아고로 떠난다. 　　철수는 여자친구와 재회 하기 위해 여러 전문가들을 찾아다니던 중 정신과 의사 김레오나르도를 만나게 되고, 　　정신과 의사 김레오나르도는 여자친구와 재회하려면 극단적으로 변해야 한다는 처방을 내린다. 　　그렇게 철수는 변화를 위해 위성 도시로 떠난다. 　　그리고 그곳에서 어릴 적 친구와 만나게 된다.

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This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.

This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.

We don't have an overview translated in English. Help us expand our database by adding one.